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The living Art - Devon Boorman

"When a practitioner is able to spontaneously generate techniques to respond to unique situations they are practicing a living art rather than going through an exercise of scholarship." - Devon Boorman
http://devonboorman.com/what-is-a-modern-european-martial-arts-master/

Superiority in Fencing

"in Arms as many ways to defend onself as there are ways to attack and that superiority and safety are only produced by speed and the manner of taking the tempo." Jean De Brye, The Art of Fencing Reduced to a Methodical Summary

Tournament 2018 Thoughts

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My Club has just completed their 2018 open tournament. This post is a summary of my thoughts on this experience and follows from this and this posts from previous years.

As an overview, the tournament is now pretty convincingly the largest in New Zealand. A number of competitors this year called it the "national" HEMA tournament. It's not a target we aimed at but it's understandable why people think this. This year we had about 50 competitors from 6 different Clubs (not including mine) from throughout the whole Country.

I wasn't organising this year though, as Club President, I did take on my share of tasks and general cat herding to keep things moving.

This year we pretty much repeated the format of previous years so it was over two days with the Saturday full of serious competitions and the Sunday with informal fun activities. On Saturday we had:
Synthetic SideswordSteel Single SwordTournament Beginners Competition LongswordSpearMixed Weapon The ruleset is that…

Should people doing "KDF" just ignore your opponents actions?

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You sometimes come across the view that a principle of "kdf" is that you should just ignore your opponent's actions. A classic example from Facebook:

"if you purport to be fighting using KdF, there is a reason a principle is to ignore your opponent and their actions."

Ignoring for a second that the phrase "ignore what your opponent is doing" is generally the basis of all Bullshido martial arts, I was wondering what the basis for this was in the sources. For this I'm using the Hagedorn / Chidester version of the Liechtenauer recital from Wiktenauer. 
The highest basis, I think, in the treatise is from the four openings:
"Vier plössen wisse, Reme so schlestu gewisse, An alle vare, An zweÿfel wie er eparr"

Which is translated with a Wiktenaur gold star rating to:
"Four openings know, aim: so you hit certainly, without any danger, without regard for how he acts."
Which seems pretty conclusive: you attack ignoring your opponent's ac…

Giganti on Art and Science

"This profession does not require more than science and exercise, and this exercise presents the science." - Giganti

Some advice for beginners about their first HEMA class

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Recently I've been doing a large portion of the beginner's classes at my club. It's the unavoidable duty of anyone who likes having a large selection of sparring partners. I've been doing these beginners classes for years, hmmm when I think about it now, over a decade. In all this time I've definitely noticed common themes in terms of which new people do well and which don't.

So, I've put together some advice for new people going to their first HEMA class to help them along. For the TL:DR crowd: don't be weird about learning.

Don't forget to keep your ego in check

This is the biggy, especially for guys. You're about to do something new and for 99% of guys insecurities around respect are really, really important. But firstly, know you should be respected as an individual from the moment you walk in the door. If you have to "earn" basic respect as a human being, you're in the wrong place. Leave.

Otherwise, relax and remember most inst…

Express your art

"The Art is not just the specific choreography of the set plays; it is also a set of tactical principles, a set of movement mechanics, and a body of technique, intended to grant us victory in specific combat contexts. We have abundant exemplar techniques to work from, complete with clear instructions and before-and-after illustrations. With sufficient effort we can train ourselves to solve the swordsmanship problems that fall within this system’s scope, using Fiore’s techniques in accordance with his principles. Thus, express his Art." Guy Windsor.