"you must not remain in one guard, but always move from one to another and transform one into another, it will behoove you to pay good attention to how these guards follow from one another" - Joachim Meyer " now as regards the postures, I would not have you remain long in any of them, since they are not invented or devised for this purpose...linger in that furthermost point for just a bit, almost only for the blink of an eye" - Joachim Meyer Meyer is clear that the "guard" postures are not points that you hold but points that you transition through while making your cut or thrust. They represent moments in time where if your opponent reacts and your intended action doesn't look so good, you can change your intent. They also communicate your intent to your opponent who will have to react, in fairly set ways, to your projected intent. This conversation is the Art. The human brain is hard wired to spot something that isn't moving sudde...
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